If Suuns left you wanting for vocals, Screaming Females were ready to supply. The band is a trio, but lead singer Marissa Paternoster is the one you need to know. The petite vocalist has a meek speaking voice—it sounded like a small child had snagged the mic when she informed the crowd that the band came from New Jersey—but she wails as a singer. Depending on how hard she forced her alto, her voice either shook like Grace Slick’s or the mayor of Munchkinland. Paternoster’s vocal got the crowd’s attention, but it was her furious guitar playing that made jaws drop, as her fingers crawled all over the fret board. Never has a person shredded so hard in a Peter Pan collar.
The audience members were all a-chatter after this fiercely rocking display. But the Blow’s Khaela Maricich silenced the house when she walked on stage as a solo performer and started singing a cappella, quoting lines from Eagles’ “Peaceful, Easy Feeling” while keeping time on the mic. Maricich has a reputation for giving kooky performances, and she lived up to the hype. Maricich went slinking around the stage in spandex, dangerously high heels and an oversized shirt, singing in a voice so wonderfully smooth and pure pop that she could have been an Ace Of Base extra. Her set list included favorites like “Parentheses,” “Hey Boy,” “Come On Petunia” and a flat rendition of “True Affection.” But Maricich entertained the audience with more than just songs, sharing tales about having lunch with Lindsay Lohan and trying on her shoes, musings on dance moves and comments like “You know how every popstar is just balancing on top of a pyramid of gay men.” Maricich never neglected her music, which was propelled by prerecorded electronic beats, but her delivery was like a well-timed comic routine.
The Pains Of Being Pure At Heart closed the evening, and though this group might have been the night’s headliners, Maricich stole the night.